‘Halfway up Cadair Idris beneath a precipice often in cloud is Llyn-y-Cau. The lake lies in a glacial cirque scoured by retreating ice and dammed with gravel. Little has changed since. Wilson’s painting is still recognisable. So too are the adjustments he made to simplify the background and exaggerate the height of the precipice – probably not to suggest the emotion and drama that Romanticists would later seek, but to balance the scene in order to convey a sense of organized grandeur.’

Read more in the September 2018 issue of BBC Countryfile Magazine

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